Still continuing with the time theme, and very much related
to that which I wrote about last week …
Before me is a copy of the first Manifesto of Surrealism,
published in 1924 and authored by André Breton, the writer who founded
Surrealism. And what do I read?
"But in this day and age logical methods are applicable
only to solving problems of secondary interest. The absolute rationalism that
is still in vogue allows us to consider only facts relating to our experience.
Logical ends, on the contrary, escape us. It is pointless to add that
experience itself has found itself increasingly circumscribed. It paces back
and forth in a cage from which it is more and more difficult to make it emerge.
It too leans for support on what is most immediately expedient, and it is
protected by the sentinels of common sense. Under the pretence of civilisation
and progress, we have managed to banish from the mind everything that may
rightly or wrongly be termed superstition, or fancy; forbidden is any kind of
search for truth which is not in conformance with accepted practices."
And this not only hints at the deep rooted cultural
weaknesses of the Western (Europeanised) world, but well summarises too, DG
CONNECT and much of what is (there are of course exceptions), the extremely
noisy, highly schizophrenic circus that goes by several names: STARTS, STEAM,
SEAD and probably several more as time moves on.
Oh vainglorious Enlightened ones, you weave narratives that
speak of deficits, among which sits lack of creativity as one of many. Thus
your fragmented and reductive minds, caught-up in strange notions of being
rational and objective and basing decisions on so-called evidence (which seems
mostly to be the means by which you reinforce your cognitive biases), construct
your own reality made from the sum of simple problems befitting simple
solutions; and then you do conspire among yourselves to appropriate art for the
purpose of eliminating this one specific and imagined deficit, while arts'
great figures of the past, make of you, the fools that you are, for unlike
Breton, you have not yet even a glimpse of what the problems are and that you
are but the manifestation of these problems, and that includes many artists too
…
DG CONNECT had the power to choose and they chose wrongly.
How does it feel knowing that by the time you do eventually understand, people
who are not part of your Enlightened Europeanised world will have exploited
your deep rooted cultural weaknesses and it will be too late? It has already
happened once before, yet who among you know of this?
Oh dear, and I am only just getting warmed-up, for there are
many more blogs about DG CONNECT and its instrumentalisation of artists to come
…
Next week the Tale of the Director General’s New Clothes.
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